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SYNOPSIS

In his Story of the Phoenix, Rothbart expands on his idea of Semiotic Street Sculpture, objects that he placed in public spaces to observed how they both changed and were changed by the environments they inhabit. This book presents a similar project in which scanned images of sculptures are digitally placed in, primarily, film stills. These manipulated photos were then given to different artists to further manipulate, and each of the subsequent actions is documented. Tom Eccles puts his into a bottle and throws it into the East River. Melania Di Leo bathes with hers. An interesting book on the transformation of an art object and the process of collaboration. Introduction by Richard Milazzo.


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