“The book covers the Semiotic Street Situations which began in Rome in 1993 with sculptural objects placed in such environments as public markets, streets, and parks. This book involves not the placement of objects in an environment but the scanning of sculptural images and through computer manipulation placing them in images derived primarily from existing film stills. The author also invited artists, writers, and critics to manipulate these digital collages in their own way…All black and white full-page illustrations to delight the mind and the eye.”
Praise for The Story of the Phoenix : La storia della fenice
Praise for The Story of the Phoenix : La storia della fenice
“Nor did it surprise me to find the wings of semiosis in the streets and rivers, the stars and wood, the gestures and calling cards of its guests. Arms flung high to the heavens, an electric fan whirling, a latter-day Venetian mask, a bathtub gondola, signic concerts, the flying spokes and prongs of a wheel and a bottle rack, an upside down urinal, a winged poodle, a bottle with an image in it flung into the East River, Jewish, Muslim, and Christian prayer positions in a gazebo in the Jewish Ghetto in Rome, an act of cannibalism overlooking the Bay of Naples, and a gratuitous shock reaction to the “horror, the horror” of the ritual alien sexuality of the imagination.”
Praise for The Story of the Phoenix : La storia della fenice
“Daniel Rothbart always develops relationships between individuals and between people and objects. For his artist’s book The Phoenix, Rothbart works with cinema and visual arts myths, whose protagonists animate the theater of life and culture. In the popular imagination his subjects become ever-changing signifiers that shape cultural identities and condition behavior.”
SYNOPSIS
In his Story of the Phoenix, Rothbart expands on his idea of Semiotic Street Sculpture, objects that he placed in public spaces to observed how they both changed and were changed by the environments they inhabit. This book presents a similar project in which scanned images of sculptures are digitally placed in, primarily, film stills. These manipulated photos were then given to different artists to further manipulate, and each of the subsequent actions is documented. Tom Eccles puts his into a bottle and throws it into the East River. Melania Di Leo bathes with hers. An interesting book on the transformation of an art object and the process of collaboration. Introduction by Richard Milazzo.
REVIEWS
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1999
Hoffberg, Judith A., The Story of the Phoenix/ La Storia della Fenice, Umbrella Review, Vol. 22, no. 4 (December 1999).
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1999
Pedrini, Enrico, Daniel Rothbart and the Phoenix, NYArts, Vol. 4, No. 8, 1999